Showing posts with label transcription. Show all posts
Showing posts with label transcription. Show all posts

Tuesday, 31 May 2016

Backside of the Moon Copper Wire-Woven Pendant...

...finally got back to it on Sunday while sitting at the Nostalgia Show & Sale and then finished it today. This is the pendant I started well before Christmas -- you can see above on the masthead how far I got. Then the proverbial shite hit the fan and life became a monstrous blur for several months. One foot in front of the other, and don't look down. Then six or eight weeks ago or so I got absolutely deluged with typing which only let up on Friday.

Last week I'd set up a table outside to sort items for the Nostalgia Show and decided to leave it up all summer. Truth is, I'm too lazy to take it down and heave it back into the house. Today I cleared off accrued tree spit and whatnot and finished that pendant... almost. It looks okay in my hand, but as soon as I edited the photos I saw it wasn't reading, and figured out what needs to be fixed. I'll do that tomorrow. Let it percolate overnight in case I see something else needs tweaking. Of course I'd completely forgotten what I'd planned for the bail... and now there isn't one. That's something else I have to sort out. I think jump rings might wear away at the fine weaving wires, but I like the simplicity of the pendant as it is now. I may just string it on soft leather lace as is.

My outdoor studio, complete with deer flies, the big black ones with festively coloured eyes that you don't feel landing, only when they bite. For some reason they were biting me through my clothes, not my skin, which I found very strange.



Last December's photo, and Sunday's progress:



On Sunday, I'd remembered that I wanted to do something like that double curl at the bottom of the pendant, but the rest? Boh. So I started weaving and entwining... What I was definitely mindful of was producing a fully reversible pendant (this being the nominal front).



The back...


NO POINTLESS TWIDDLES this time, please and thank you! I did get quite ruthless in the end and hacked away.

Now to work:



Worked on hammering those lovely and elegant curvy curves that I admire so much online. This is when an anvil comes in handy, versus a plain bench block.




These are the two sides finished. This was supposed to be the back; yet again it looks better than the front. Not sure about that single curl in the lower right area... might disappear that tomorrow, too, or at least curve it into that woven bit more tightly. It's a structural piece that locks the two sets of weaving together. .



A little overexposed, but this photo of the front shows off the bead quite nicely. See that kind of "wave" dipping across the top of the bead? That's going to be gone tomorrow. It will wrap around and hide the wire coming out of the bead and I hope make the overall design stronger.



I'll post the finished pendant tomorrow. Might even sort out a bail. Thanks for stopping by!


Friday, 31 August 2012

Typing like a mad fiend, but my latest pewter order arrived yesterday...

Yes, I promise, this weekend I will make something... anything. But for now, after a hell-week of typing non-stop and proofing for 7+ hours straight, I am beat. I will load up the truck, have a quick shower, and then go to bed.

A first glimpse of my goodies, including a string each of old turquoise blue glass padre and red and blue chevron trade beads:



I have to say, I really like this moon face! And the squash blossoms! They'll go nicely with my new turquoise.


Along with the moon and squash blossoms are different Haida style pendants, Maori and Ethiopian sympbols and a few more Mexican and Celtic pendants -- oh, and I got some cool pewter butterfly pendants, a couple of styles, last week, too.

I will try to post them Saturday or Sunday.

Thanks for taking the time to stop and look!

Wednesday, 8 August 2012

Japanese chain maille bracelet & ring... creative procrastination at its finest

It's hot hot hot. I have typing out the yin yang still to do and I am blind with eyestrain. Off to the eye doc tomorrow morning, and that little problem should be resolved with new lenses in, oh, three weeks or so.

Good news: today I shipped my very first sale of turquoise beads off my long-neglected website. Thank you, Kaye! I have to start taking more pictures and posting new items. The prices are old -- I bought this turquoise three and four years ago -- and I checked a few places online. Wow, has it gone up. I did order myself some Fox Mine turquoise -- really looking forward to seeing that -- along with a pile of other cool stuff including some black tourmaline beads for a commission. That will be combined with some raw black tourmaline. My customer for this says black tourmaline conveys some serious power. Stay tuned for pix.

Japanese chain maille ring and bracelet. Would this be called 3 in 3? I forget. I'm sure someone will correct me. I had bought these copper rings mainly because they are so purty and shiny, and I was procrastinating, stacking them up and watching them flippety flop over, rather than sitting tight and square like more usual chain maille designs and thought they'd make a nice Japanese style chain maille ring, comfortable to wear due to generalised floppiness.



I have a customer in mind for this, hence the 9.75 size: note the tiny jump rings I used in the top photo (at about 7:45) to reduce the size to pretty much exactly 9.75 on the ring mandrel.

Then I thought a necklace or choker would be a cool idea, and a mindless (I'm so easily entertained) hour or so later... I realised I was going to run out of rings long before I got to 20 or 22 inches, so I stopped at an 8-inch bracelet. I'd forgotten how silky soft metals can be.




I'm working on a new "leaf" style of hammered clasp, plus it's a little more guyish than the usual curvy, twirly designs I do, and I'm hoping that the centre bit will prevent the jump ring from working its way loose all the time like it tends to do in the standard curvy style of hammered clasp. This still isn't quite what I picture in my mind -- I'd prefer sharper bends rather than soft curves -- but I'm working on that.

Thanks for looking!

Thursday, 11 August 2011

Rant about resumes

I just read a couple or three very funny resume bloopers columns online.

http://work.lifegoesstrong.com/hilarious-resume-bloopers

http://work.lifegoesstrong.com/hilarious-resume-bloopers-part-two?x=15606043&y=109796

http://work.lifegoesstrong.com/11-executive-resume-blunders

I have a couple of questions about my resume, and job-hunting in general, which I'll throw out to anyone, really. The first question is: do kindergarten resumes really work? You know the type: a long list of 10 or 20 "plays well with others; shares her toys; doesn't eat sand" and that ilk that goes right up top above the list of what you've actually done for the past 20, 30, 40 years and which -- and I may be wrong here -- I had always assumed to be what employers were really interested in. 

I'm presently a self-employed sub-contractor in a business (transcription) where reputation, reliability, accuracy, adherence to sacred deadlines and discretion, as well as the Who's Who list of companies and agencies you've done transcription for, are paramount. Oh, and I can spell. And I know English grammar. Unlike 95% of transcribers today. What was once a highly-skilled, very well-paid profession has become a highly-skilled, less-than-minimum wage job that has gone to India. The low Indian wages are dictating what we are now paid in North America. How? We're bidding against them for North American work. Confidentiality? Privacy? Phht! Your medical and legal transcriptions are now being done in India.

The second thing that pisses me off to no end is that I have been loftily and repeatedly ordered over the last 20 or so years to dumb down my resume. Why? Because HR personnel don't understand what I do. What the...? Let me try to understand this. They're trying to fill a position required by their company. I'm applying for that job that's been advertised because, if I understand the advertisement, I have the qualifications and prior job experience. HR doesn't understand my resume, which has everything to do with the company for whom they work, which means they must have no clue about what type of person and their qualifications are needed to fulfill the job requirements. What calibre of person must HR be hiring, if they only hire what they and not the applicant know about? Don't the management people who are the ultimate employers notice that whoever has been hired is woefully... underskilled, inadequate for the job...? I was actually told in Whitehorse, when I was applying for a job as a YTG highway signpainter, to never go through HR, because they never like people like me. Always go to the person who's hiring. Who has given these HR people all this power and why are they permitted to abuse it? I have worked far too hard for far too many years to be the best at what I do -- no matter what that is -- and for someone to tell me to dumb it all down? What the hell is going on?

The third thing that really bugs me is when resume writer columnists tell you to talk about your accomplishments -- "I brought the X project in on time and under budget by $3 million" -- versus a list of mere job/skill descriptions. Could someone please tell me how to rephrase the following, and how to put it in a cover letter?

"After I quit the job I loved in 1991, following eight years of offensive bottom-feeder pay, I subsequently discovered that the president had had to hire THREE full time people to do what I had been doing part time while also attending a post-secondary institution full time, not to mention that this was work for which I was always paid the least amount of the least of the three jobs. Hiring three full time people would easily cost the company a minimum of $100,000+ annually in wages alone following my departure. Additionally, the company would then have had to return to outsourcing all advertising, design of government-mandated public information displays and graphic work (PowerPoint artwork adaptation, scientific journal illustrations, etc.) at an estimated $150+ per hour because I've never met a draftsperson who knew anything about advertising, printing, copywriting, etc., which is what I used to do. Additionally, company executives would have had to provide labour-intensive paper copies of all work to be done by one of my successors, thereby doubling the executives' own workload with grunt work. Since executives are usually on salary, it meant they were absorbing the cost of hundreds of hours of labour annually that I used to do for them and, BTW, for which I wasn't paid anything near their salary grade."

This is the first time I've ever calculated what I actually saved them over the years! Holeee, it's unbelievable. I think that guy reeeeeally screwed up.

Yes, I get the idea of accomplishments and saying something like "I brought the X project in on time and under budget by $3 million", but tell me how to write the truth: they screwed up big time by not paying me even a token part of what I was really worth to them. And oh, yes, I did ask for raises periodically. But there was only so much begging I could stomach: "Please, sir, I want some more." I considered and still consider myself to be "a professional", not just an employee doing only what they're told to do and when to do it. I took on so many tasks, drew on past experiences and knowledge, learned so much about this company's business along the way, and basically created my own standalone business that was still inextricably enmeshed within the company. Then to have someone I respected and who I thought of as an equal, each in our own spheres, to tell me to my face that he didn't believe I was really doing as much work as I said I was, and therefore didn't deserve a raise? That's a bit of a smuck upside the head, isn't it? Yes? No? Am I wrong?

"As a contractor of almost 40 years' standing I parachute into almost every job with a big fat zero's worth of knowledge of that company; however, what I do know how to do when I parachute in is hit the ground running, analyse and resolve the problem right from the get-go. Often they've run out of time because either somebody was practising major avoidance -- ignore it and it will go away, somebody else will figure something out -- or they're just plain an idiot, and now their job is on the line and they don't know what to do. Because money is no longer an issue, they hire me, I save their sorry asses, and I get out."

Why do I need to know anything about a specific business? Work is work and except for minor details, it's pretty much exactly the same wherever you go. Silos are an artificial construct, a concept. In philosophical terms, concepts don't exist; the fact that people talk about them and have agreed they exist and conduct business as if they're truly bricks and mortar edifices means they're... what, delusional? And we wonder why business and governments are going down the rathole! I have always adapted skills from one industry and tweaked them to apply to another; I don't start over. Therefore, why would an employer assume that I should perennially be paid entry level wages?

"Incorporating skills learned in disparate sectors (which are listed in the attached 2-page resume) means I am hyper-organised -- think of moving chessmen up, down, through and around a 3+ level Lucite chessboard. In the case of the one company, I constantly juggled umpteen separate deadlines (ours and service providers), all the different facets involved in production, paid attention to budgets and contingency allowances for projects headed by different executives, in different stages of completion and often located in a different country entirely with the added legal requirements that that would entail. I was living, thinking and breathing outside the box long before the rest of the world was informed there was one." 

And what's with all the cliches, those gob-smackingly irritating lists of so-called "power verbs" and jargon that resume writers and HR looooove to death and post online? Are they really sitting there and checking them off, thinking, okay, this person used thirteen power nouns, ten power adjectives and twenty-three power verbs. Since our cutoff is a minimum usage of X, nope, buh-bye, Bubba. Into the circular file you go.

"I have lived and worked overseas, I speak three languages, albeit two poorly (I am unfortunately a linguistic dolt), but have, eh, I dunno, a quasi-mystical ability to communicate with just about anyone, whether we share a verbal language or not, and I'm adaptable to circumstances: I have worked with Vietnamese boat people on an assembly line and have had intense one-on-one sit-downs with government leaders, judges, top-level military personnel and executives; I've tutored third world refugees, helping them find their first jobs in Canada; and I've done work for the World Criminal Court, NATO, UN agencies, banks, police, etc."

If I were an electrician or a plumber or airline pilot or a librarian I could find a job so frickin' easily. Just open the newspaper. It's those damnably elusive, so-called "soft skills" -- and there's one of those pesky power words again (ewch, "power" word: it's so '80s, innit? I hear the '80s have come back. Dallas remake is in the works, big shoulders, big hair, makeup trowelled on... oh, Gawed, I'm doomed again). The "soft skills" have made me virtually unemployable... the irony being that I get what work I do have virtually. If it weren't for the Internet -- and there's the poster child of a concept, 'cause you can't touch it, taste it or smell it, but I think we all agree it exists -- I wouldn't be working. And now I'm really in trouble, because since 1998 most people don't believe I do any work at all.

Gaaaaaaah I'm so screwed, and I've got to somehow find a real job.

Thursday, 30 June 2011

PMC3 Silver Lilies of the Valley Earrings

I'm way behind in making lily of the valley earrings. I haven't given any new jewellery to Studio Works in Paris for... oh, boy. Three months? B-a-a-a-d. Decided to get started on that tonight, and ended up making these chandelier earrings instead.


 
PMC3 lilies of the valley, pearls Swarovski crystals, sterling silver chandelier & headpins,
Argentium sterling earwires & jumprings

Tomorrow I have free and I intend to get a lot of stuff put together to take into the store either Saturday or Sunday, plus get some more things together to take to the consignment store, as well.

Got all my typing done. Very scary, the prospect of not having that one client's work to count on. Well, nothing I can do about it. Toes and eyes crossed that the volume of work I've been getting in keeps up.

Sunday, 12 June 2011

Rough Hubei turquoise choker




Despite how heavy this is (8 grams of silver, and these are pure copper beads, not plated crap) this is surprisingly light to wear. I played quite a bit to get the length right.

I had an interesting day at the Woodstock Farmer's Market yesterday. It started out super slow for everyone. And then all of a sudden, we were inundated with people -- guess people decided it wasn't going to rain after all (monsoons were in the forecast, and I think all it did was spit a few times). There were many new faces, too, something which is also puzzling a lot of the vendors. I didn't sell any big ticket items but there were queries about the turquoise. I did sell a lot of earrings yesterday, two, three pair at a time. Funny that that's what's been selling lately: mostly designs from two or three years ago. Means I have put down the murder mysteries and get busy replenishing the earring carrousel.

I also sold two long strings of pearls, one black and one white. Pearls sell very well. Maybe I should ditch the turquoise and silver and just sell pearl jewellery. Now there's a thought.

More transcription came in, due Tuesday, so I should get on top of that today. I have a pile of things to go through to take to Rekindled (the consignment store in Woodstock) either Tuesday or Wednesday, as well as drop off my long-overdue application to the new Woodstock Art Gallery gift shop which will open when they complete the move to the new premises on Dundas Street. Question: do I have any CDs to burn to and do I even remember how to do it? Do people really still use them? Gahhh.

Wednesday, 8 June 2011

Got more items listed on Magpie Gemstones

This is cool -- two more of my necklaces were listed on Magpie Gemstones' site the other day. There are so many beautiful designs there and I'm proud to be included.

I also got some transcription in so I'd best get at that. The bills never stop coming in, and they sure never decrease. Funny how that works, innit? The more we're told to conserve energy/water, the more the utilities companies find ways to ding us for even more money, to pay for their own fiscal mismanagement and lunatic executive decisions. Why are these people never held accountable? I use $15 worth of electricity a month in the summer, but my bill is over $90. How is that possible, or even fair???

In absolute terms, my wages have decreased; in fact I'm earning less now than I was back in the '70s when I first started working. So much for competing with India, where North America's transcription sector has gone. It's loooooong past time to find something else to do!


I found these cool wrought iron earring racks to sell at the market. I'm forever being asked to bring in jewellery racks, and I hope people will buy them. In any event, I will be using several of them on my table for my own stuff, as well as offering them for use where my stuff is sold in stores and galleries. I think it will be easier to separate out designs/materials thematically on smaller racks. The next trick is to get them up high enough so people can see them. I haven't tried the PVC pipe riser trick yet -- they're kind of funny at the market I go to, wanting every vendor's tables to be in a line and all the same height.