Showing posts with label dragonskin agate. Show all posts
Showing posts with label dragonskin agate. Show all posts

Monday, 6 June 2016

Finally completed: Backside of the Moon Wire-Woven Pendant...

Took a bit longer than I'd expected, but Saturday morning at the market I finished the pendant. I mentioned in the last post about moving that little bit of wire at the top of the pendant to wrap around the single wire coming out of the bead. I think it really cleaned up the piece.

What it looked like before, with too many waves and curls. Even with pendants, I still adhere to the old magical "3" used in design:



What it looks like now:


Note also that I tucked that single hammered curl on the right in much tighter: it's there, but not.

And the "front" side before, where you can see that weak (to my eye) wave effect pretty much emphasising the single bare wire coming up from the bead:



And after:



I'd considered making a woven bail looping into the top of the pendant, but it looked too busy, so I did end up using jump rings after all. I thought using three would spread any wear along those fine weaving wires. Also, using three jump rings echoes the three woven base wires of the pendant top, as well as the three curved and hammered wire ends.

I also discovered the hard way that you don't want to be hammering curls like that if there's any weaving in the way. About 1/4" of the weaving ended up breaking into tiny pieces and falling away.

I decided also that a plain black adjustable leather cord would work best, rather than a wider leather lace or even a copper chain. I for one get so caught up in the fine details while working that I lose sight of how the pendant will read at any distance.



This is naturally oxidising, by the way. If you are interested in buying this piece and want it patinaed, let me know. This pendant is for sale: $50 plus shipping & handling. Please contact me by email if you're interested.

You can see it in person at the Woodstock Farmers Market every Saturday morning from about 5:00 a.m. (when I get there) until noon -- the market officially opens at 7:00 if you're not an early bird. I'll (maybe) have this and many similar pendants for sale at The Gem Expo in Toronto at the Hyatt Regency on King Street Friday July 15th to Sunday July 17th.

Thanks for stopping by -- and see you at The Gem Expo!!! It's a great show with lots of classes, beads, finished jewellery and an immense amount of knowledge on offer.


Tuesday, 31 May 2016

Backside of the Moon Copper Wire-Woven Pendant...

...finally got back to it on Sunday while sitting at the Nostalgia Show & Sale and then finished it today. This is the pendant I started well before Christmas -- you can see above on the masthead how far I got. Then the proverbial shite hit the fan and life became a monstrous blur for several months. One foot in front of the other, and don't look down. Then six or eight weeks ago or so I got absolutely deluged with typing which only let up on Friday.

Last week I'd set up a table outside to sort items for the Nostalgia Show and decided to leave it up all summer. Truth is, I'm too lazy to take it down and heave it back into the house. Today I cleared off accrued tree spit and whatnot and finished that pendant... almost. It looks okay in my hand, but as soon as I edited the photos I saw it wasn't reading, and figured out what needs to be fixed. I'll do that tomorrow. Let it percolate overnight in case I see something else needs tweaking. Of course I'd completely forgotten what I'd planned for the bail... and now there isn't one. That's something else I have to sort out. I think jump rings might wear away at the fine weaving wires, but I like the simplicity of the pendant as it is now. I may just string it on soft leather lace as is.

My outdoor studio, complete with deer flies, the big black ones with festively coloured eyes that you don't feel landing, only when they bite. For some reason they were biting me through my clothes, not my skin, which I found very strange.



Last December's photo, and Sunday's progress:



On Sunday, I'd remembered that I wanted to do something like that double curl at the bottom of the pendant, but the rest? Boh. So I started weaving and entwining... What I was definitely mindful of was producing a fully reversible pendant (this being the nominal front).



The back...


NO POINTLESS TWIDDLES this time, please and thank you! I did get quite ruthless in the end and hacked away.

Now to work:



Worked on hammering those lovely and elegant curvy curves that I admire so much online. This is when an anvil comes in handy, versus a plain bench block.




These are the two sides finished. This was supposed to be the back; yet again it looks better than the front. Not sure about that single curl in the lower right area... might disappear that tomorrow, too, or at least curve it into that woven bit more tightly. It's a structural piece that locks the two sets of weaving together. .



A little overexposed, but this photo of the front shows off the bead quite nicely. See that kind of "wave" dipping across the top of the bead? That's going to be gone tomorrow. It will wrap around and hide the wire coming out of the bead and I hope make the overall design stronger.



I'll post the finished pendant tomorrow. Might even sort out a bail. Thanks for stopping by!


Monday, 19 November 2012

Designing Men's Adjustable Leather Chokers & New Beads from the London Gem & Mineral Show

This is what I put together on Saturday at the market... again, variations on a theme which is my only way of determining which combinations of beads look better or more interesting together. I make as many as I can and the client then chooses the ones he likes. The rest go on the table. These may look fairly simple, but I am constrained by my client's budget as well as the fact that few beads come with large holes and I have to keep these masculine-looking, so matte beads work better, no facetting, darker beads, more handmade style findings, etc. Doing frilly/girly/fancy is easy. But masculine? Uh... no. Now that I've done all the cliches (arrowheads, skulls, that type of thing) plus umpteen variations on those, it's become harder and harder to come up with new ideas.



The three silver-plated pendants here were supplied by my client. They are finely crafted and tiny, so I needed beads that wouldn't overpower them. I lovelovelove the look of the copper tubing with the tiny Tibet-styled pewter beads. My problem is remembering where on earth I bought the copper tubing -- and why oh why didn't I buy more!?!?!? Using multiple jump rings together is also another of this client's favourite looks, especially when they start to darken and tarnish.



This is just one small part of my new stash acquired from the London Gem & Mineral Show held at the fairgrounds in London, Ontario, this past weekend. (I say "part of" because my stooopid camera batteries are being recharged as I write this.) I went with my pal Nancy, and we both had such a good time there talking with vendors. Learned a lot. Nancy found almost all the crystals on her list -- she was super-pleased with the prices and selection, and picked up cards to email dealers with her wish list -- and I got some new stones and pendants for the market.



The next local gem & mineral show is in Paris, Ontario, at the end of March/beginning of April, but there are also gem & mineral shows in and around Toronto over the next little while. For the most part, rock & mineral shows are all-age and interest but especially kid-friendly venues with lots of interesting stones and dinosaur bones to pore over, as well as kid-centric events -- stuff for them to do versus "don't touch!" and "stop grabbing!"

Also, don't forget, The Gem Expo is on for three days over this coming weekend in Toronto at the Hyatt Regency in Toronto, so November 23th, 24th and 25th. I'm going to try to go on Sunday if anyone wants to carpool -- anyone from the Woodstock/Brantford area or Kitchener/Guelph, meet up at Clappison's Corners and drive in together? Email me if interested.

More pix coming later today. Thanks for looking!