Showing posts with label anvil. Show all posts
Showing posts with label anvil. Show all posts

Tuesday, 31 May 2016

Backside of the Moon Copper Wire-Woven Pendant...

...finally got back to it on Sunday while sitting at the Nostalgia Show & Sale and then finished it today. This is the pendant I started well before Christmas -- you can see above on the masthead how far I got. Then the proverbial shite hit the fan and life became a monstrous blur for several months. One foot in front of the other, and don't look down. Then six or eight weeks ago or so I got absolutely deluged with typing which only let up on Friday.

Last week I'd set up a table outside to sort items for the Nostalgia Show and decided to leave it up all summer. Truth is, I'm too lazy to take it down and heave it back into the house. Today I cleared off accrued tree spit and whatnot and finished that pendant... almost. It looks okay in my hand, but as soon as I edited the photos I saw it wasn't reading, and figured out what needs to be fixed. I'll do that tomorrow. Let it percolate overnight in case I see something else needs tweaking. Of course I'd completely forgotten what I'd planned for the bail... and now there isn't one. That's something else I have to sort out. I think jump rings might wear away at the fine weaving wires, but I like the simplicity of the pendant as it is now. I may just string it on soft leather lace as is.

My outdoor studio, complete with deer flies, the big black ones with festively coloured eyes that you don't feel landing, only when they bite. For some reason they were biting me through my clothes, not my skin, which I found very strange.



Last December's photo, and Sunday's progress:



On Sunday, I'd remembered that I wanted to do something like that double curl at the bottom of the pendant, but the rest? Boh. So I started weaving and entwining... What I was definitely mindful of was producing a fully reversible pendant (this being the nominal front).



The back...


NO POINTLESS TWIDDLES this time, please and thank you! I did get quite ruthless in the end and hacked away.

Now to work:



Worked on hammering those lovely and elegant curvy curves that I admire so much online. This is when an anvil comes in handy, versus a plain bench block.




These are the two sides finished. This was supposed to be the back; yet again it looks better than the front. Not sure about that single curl in the lower right area... might disappear that tomorrow, too, or at least curve it into that woven bit more tightly. It's a structural piece that locks the two sets of weaving together. .



A little overexposed, but this photo of the front shows off the bead quite nicely. See that kind of "wave" dipping across the top of the bead? That's going to be gone tomorrow. It will wrap around and hide the wire coming out of the bead and I hope make the overall design stronger.



I'll post the finished pendant tomorrow. Might even sort out a bail. Thanks for stopping by!


Monday, 3 March 2014

Moving shop, Birthday (ick, another one?) & Working Methods...

Since I have so little in my booth space at the One-of-a-Kind Antique Mall, I was asked last week if I'd mind moving down the aisle to another location so the lady across from me could expand. I had no problem agreeing to that. In fact, it worked out to my benefit as I was able to move into a half-booth next door on the other side of the partition.



However, I should have looked around first. There is another half booth up closer to the front of the building. Man, there are some nice things coming into that Antique Mall. I have to stay away or I'll start buying... and I'm supposed to be selling.

Jewellery, collectible beads and tchotchkes are selling well out of my display case up at the front, and I'm very, very pleased about that.

I had another birthday last week. Funny, isn't it, how they keep coming -- and faster and faster. On Tuesday, Winter took me out to the Banana Leaf, a local Thai place. Good spicy food, and sufficiently large portions that I took half my dinner home for lunch the next day on my real birthday.




Winter makes boxes, trading cards and does a killer job wrapping gifts.



Meanwhile, back here in the still-frozen Great White North (minus-20-somethingdisgustingthismorning-Celsius and it snowed AGAIN), I have been working on more copper bones (see Lisa Yang's tutorials). On Saturday I mindlessly cut up wire for a few hours while sitting at the market and reduced the length of the bones to see what they would look like. The original ones were 1" and with a twist. I cut and hammered a set of bones at 7/8" without turning them, so they look like "real" bones, ditto a set at 3/4" with a twist. Yes, I'm totally bilingual when it comes to bead measurements. I'm fine using metric for bead diameters and weight, but everything else is in inches.

What I was working on yesterday while hammering was trying to keep the bench block from moving so much every time I hammered it, and to reduce the noise. First, I cleared off the table so I don't have to stop in mid-hammer to rescue something from falling off the table.

Oh, yeah -- the blue cloth is a silver-cleaning cloth. I noticed all the black gunk smeared everywhere -- that's from the Sharpie marks used for cutting the wire and it gets ground into the copper and the bench block and the hammer head itself from all the hammering -- and all over my fingers. Next time I'll clean that off the wire pieces first, rather than doing it afterwards. Sigh... But again, that's something I can do easily at the market while sitting. It helps to be doing something that intrigues people, convinces them that you really DO make the jewellery, and it's something that can be put down easily when someone does stop by.


Working at an angle seems to be the best for me. I had put my bench block on a bead mat last time, but I decided to try a folded t-towel this time. Maybe I'll try a bath towel next time. I like to work at an angle. I recently read somewhere that someone likes using their anvil better than the bench block, so I thought I'd try it. I tried hammering, but the towel and the anvil still bounced around with every blow. Working with the anvil on its side gives a larger area for the hammer to hit, but also keeps the end of the wire being hammered closer to the centre of the work surface which helped towards minimising the movement of the cloth, but it still didn't do anything about movement of the anvil on the cloth.

Note the Sharpie sticking out. I worked it out that using my index finger and thumb to hold the wire against the anvil (fingers not ON the anvil, only the wire) had my middle finger pushing the anvil into the pen and leaned the bulk of my hand on the cloth/table, it worked quite well.



Keep the anvil pressed firmly against the Sharpie. Anything would work, a stick, etc.



Showing the back view of how I've positioned my fingers when hammering -- keeping them well away from the hammer.



Showing half the wire hanging off the back of the anvil surface with the anvil pushing firmly against the pen.



Finished 7/8" bones hammered straight and awaiting holes to be punched and then the tedious business of filing all the burrs. I also made more horseshoes for a necklace, and these links came out much more evenly using the barrel of a Sharpie. This is another project easy to do (except for the hammering) while sitting at the market waiting for customers.


Let me know if you try this, and if the pictures help or hinder. Writing instructions and taking photos to illustrate each step is not as easy as it looks.

I'm sure there's some traditional bench gadget that's been in use for hundreds of years that would make this all moot, but for a quick hammering on a few items where you don't require a professional and permanent setup and/or don't plan on hammering for hours on end this works fairly well as it's portable and uses items we all have on hand.

Thanks for looking!